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FALLEN HISTORY


FALLEN HISTORY

The well-known historic building at Meskel Square famously associated with Mengistu Hailemariam’s public speeches was originally designed to stand prominently before millions. Although Mengistu’s era ended, the building continued to serve as a podium during EPRDF’s public Raleys and the first years of Prosperity party. Now, this historic structure has been demolished as part of the Riverside Project. For decades, the building beneath the podium served as the office of the City Beautification and Development Bureau, which has since been relocated to Kebena, behind the British Embassy. After the bureau vacated the premises, the first step was removing the glass windows and doors and fencing the area with tall double metal sheets commonly used in corridor development projects. Behind the fence, preparations for demolition began. Before any work started, police secured the area.

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In-Picture

ROLLING RELICS

What looks like a family's careful move from one home to another has instead turned into a rolling paradox on wheels: a modest pickup truck groaning under a mountain of life bundled in a blue tarp, tightly strapped as if the future itself might slip off mid-journey. Perched on top like a crown no one asked for is a full satellite dish, because nothing says “we're relocating” quite like insisting on uninterrupted signal while your furniture is literally holding on for dear life. Behind it, tr...


In-Picture

GREEN ALLIANCE

A handshake sealed in measured confidence sets the tone at the Adwa Memorial Museum, where Solomon Tadele, CEO of AM Business and Investment Group, and  Chang Shu, marketing director of Joylong Automobile Manufacturing Co., Ltd, formalise a partnership that points firmly toward an electric mobility future. Between them, signed documents signal the entry of Minibus EV vehicles and charging infrastructure into a market preparing for transformation. The moment carries the quiet weight of intent: o...


In-Picture

FIBRE COMMAND

Around Saris, a quiet workshop turns into a kind of “thread highway,” where a young man sits at the centre of what looks less like a loom and more like a carefully tamed explosion of strings. In front of him, hundreds of taut white threads stretch out in perfect formation, behaving with suspicious discipline, like they've been told not to misbehave today. He smiles from behind the frame as if fully aware he's presiding over a slow-motion miracle, one strand at a time. Around him, bundles of...