Edgar Allan Poe was quoted in 1845 saying that the enormous multiplication of books in every branch of knowledge is one of the greatest evils of this age. It was because he believed this would present one of the most serious obstacles to the acquisition of correct information by throwing in the reader’s way piles of lumber in which scraps of useful wood must be groped for. It is a pearl of wisdom illustrating, above all else, the value of good editing.

One of the United State’s greatest authors, Thomas Wolfe, admitted that he needed editorial cuts. It is reported that the complete manuscript of ”Look Homeward, Angel” that Wolfe sent to his editor Maxwell Perkins was 6,000 pages. Actually, about a third of that came out as a book, epitomising the need for the painstaking work of editing.

The issue extends to Ethiopia. Be'alu Girma’s conciseness in not leaving a single word to waste in his widely-read Amharic novels, aside from their dramatic appeal, is illustrious. True, there were many concerns that there were too many portrayals of matters as “they really were,” expressly his character's description. No doubt, if it had not been that graphic or if it were completely omitted from his last work, “Oromay,” a dramatic book concerning the Dergue’scampaign against rebel forces in Eritrea, his tragic fate could have been averted.

Many were further perplexed by the speed with which Be'alu used to write and turn what he wrote into books. This was amidst the day’s ruffling censorship and his being busy due to his career, rising to Editor-in-Chief of the Amharic state daily, Addis Zemen, and an official at the Ministry of Information. All this was while the land went through its years of radical change, following the political revolution of 1974. They necessarily took their toll, making a story of their own to shape his manuscript into a book at the end of the day.

Cuts from censorship scissors necessitate transitional sentences, paragraphs, pages, and chapters. This all is possible with the repeated rounds of editing and pruning into shape by a quality editor to come up with thought-out and compelling narratives, with all the tweaks which distinguished Be'alu’s books as widely readable. It is a feat demonstrated repeatedly in the fictional literary works of the day’s other notable authors.

When it came to translations, no Amharic translation of a prose poem from English has been mastered by generations of writers as Max Ehrmann’s widely known 1927 "Desiderata" in Amharic.