Ethiopia’s music scene usually shines a spotlight on singers and bands, but one figure quietly shaped its soul for decades. Since the early 1980s, Yayehyirad Alamrew’s lyrics graced cherished Amharic songs. Recognition never seemed to drive him; seeing people embrace his words was reward enough. He always felt more ideas were waiting to be written.

For over 30 years, Yayehyirad influenced entertainment and media, writing lyrics that bridged generations while producing advertising campaigns that were embedded into the cultural fabric. Collaborations with icons such as Tilahun Gesesse, Aster Aweke, Tsehaye Yohannes, Kuku Sebsibe, and Tewodros Tadesse resulted in albums that still stir popular sentiment.

His lyrics remain timeless and radiated an artistic portrayal of Ethiopia, revealing his profound love for his country. He chose to spark hope and beauty through storytelling. In one of his rare interviews with local media, he attributed this perspective to his upbringing in the Tor Hailoch, a.k.a. Tolossa neighborhood, where he was the third child in a military family steeped in patriotism. His brother, Zelalem, recalled how that devotion took shape through storytelling.



“I wasn't only his brother but his fan,” he said. “He impressed me with his way of life.”

While music was his starting point, his gifts extended into advertising and branding. Fluent in Amharic, Ge’ez, and Arabic, he fashioned striking taglines, named influential brands, and produced wide-reaching campaigns. He coined the hybrid word "Jazzmaris" for a pioneering jazz group and shaped Enat Bank’s identity with a single proposition. His sister, Hirut, an early promotor and founding shareholder of Enat, remembered how 10 of them struggled to find a word capturing women’s autonomy.


“Knowing his rich linguistic mastery, I called him,” she remembered. “He instantly suggested ‘Enat’ (mother).”

For Hirut, he was more than a brother she reached out for advice. He was a protector she leaned on during difficult times.



A commitment to social causes matched this talent for language. He spearheaded efforts around HIV/AIDS awareness and polio vaccination drives, and created “Shum Chauffeur” for Diageo’s, former bottlers of Meta Beer, for its campaign for responsible drinking, urging people to designate a driver while out partying. Partnering with UNICEF, UNHCR, and USAID, he organised fundraising concerts at Meskel Square, harnessing the power of music to reach massive audiences.

Yayehyirad's presence in the live music scene was no less conspicuous, managing Guramayle Lounge and Royal Palace Club and curating concerts that brought together established legends, emerging talent, and diaspora artists.


In his apartment on Africa Avenue (Bole Road) in the Olympia neighborhood, he amassed a collection of more than 4,000 books, which were kept in pristine condition.


“Not one of them had a folded page,” Zelalem said.

Yayehyirad usually wrote lyrics for personal enjoyment, revealing an expansive capacity for love, of a country, of family, and of friends. A chef by profession, Zelalem sometimes cooked for his brother, who delighted in "Misir Wot", with minced meat and clarified butter.

A brief phone call from him abroad still stood out for Zelalem, while he stayed at his house. Instead of asking about the well-being of his home, Yayehyirad urged kindness toward the homeless people sleeping under his balcony. That simple reminder captured his empathy. His sense of humor was spontaneous, and humility seemed ingrained in his character.

Those close to him described him as someone who treated elders and children with equal respect. Born in a household of 10 siblings, Yayehyirad was known for his righteousness.

"He had no favourites and was fair to all," he said.


On January 3, 2025, Yayehyirad passed away, and his burial at Lideta Cathedral Church marked the end of what many consider a classic creative era. Yet, his influence persists in timeless songs, enduring brand names, and public campaigns that remain fresh in people’s minds.

His sister Hirut remembers him as a trustworthy ally through difficult moments. People in the advertising industry recalled how he could distill complicated ideas into simple, memorable phrases. His approach to the cultural scene was similarly inclusive, reintroducing once-forgotten musicians to new audiences and inviting diaspora voices to the stage. By blending heritage with modern progress, he showed that patriotism and change need not stand in opposition.

His legacy is woven into collective memory. Lyrics he enlivened still echo in cafés and homes. Brands he helped name draw strength from his linguistic flair. Campaigns he shaped continue to guide public thinking, whether about road safety or health. He rarely stood at centre stage, trusting that meaningful art speaks for itself.

In an age when recognition is loudly pursued, his life shows a different path, one where authentic creativity, driven by genuine concern, can transform a society even from behind the scenes. According to Zelalem, Yayehyirad never seemed disturbed when his works were mistakenly credited to others. He took satisfaction in seeing the final products resonate, convinced that their real value lay in reaching listeners.

Those who knew him speak of a man who combined optimism, talent, and devotion to Ethiopia. Though his name did not always appear on marquee billboards, his imprint was unmistakable, serving as a quiet reminder of the power of compassion and vision in shaping society's cultural heartbeat.



PUBLISHED ON Mar 09, 2025 [ VOL 25 , NO 1297]


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