Some bands define a generation and leave a lasting mark, becoming anthems for their time. The Beatles, a renowned group from the 1960s to the late 1980s, hold the record for 180 million certified album sales. This band of twenty-somethings from Liverpool started their career in Hamburg nightclubs, with humble beginnings that gave no hint of their future greatness. John Lennon, Paul McCartney, Ringo Starr, and George Harrison became global icons, achieving unparalleled fame and success. Few bands can match their legacy.

Other legendary rock bands, such as The Bee Gees, Scorpions, and Nirvana, also shaped musical history. In a different genre, UB40, a reggae band from Birmingham, stood out. Despite reggae being dominated by Jamaican artists, UB40, led by Ali Campbell, brought their unique style to the genre. Growing up in a Caribbean immigrant neighbourhood, reggae was all they knew. Ali Campbell recalled that he and his brother did not discover other genres until high school. The band’s name came from the UK’s unemployment benefit form number 40, and their music defined my high school years in the early 1990s. UB40 were my favourite especially with their hit albums ‘’Labour of Love II’’ and ‘’Promises and Lies’’ which make me nostalgic for my high school days.

Seeing legendary bassist Giovanni Rico and keyboardist Dawit Yifru at the Africa Jazz Club transported me to the 1980s. During my childhood, the Roha Band dominated Ethiopian music. Well-dressed and highly skilled, they were ever-present on black-and-white TV screens, creating a soundtrack for a generation. Giovanni and Dawit, along with Selam Seyoum, Fekadu Amde Meskel, Ashenafi Awel, Yonas Degife, and Tekle Tesfagzi, were the core of this legendary group.




Roha’s impact went beyond music. They set a high standard of performance, technical skill, and discipline. Giovanni recalled how the band followed a strict code of conduct, covering dress, schedules, and work ethics. This discipline allowed members to balance rigorous schedules, including international tours, studio recordings, and university studies. Despite disbanding in the mid-1990s, Roha left behind a treasure trove of timeless music that continues to inspire.

Collaborating with Roha was a milestone for vocalists of the time. Icons like Ephrem Tamiru, Kuku Sebsibe, Tsehaye Yohannes, and Neway Debebe emerged during Roha's peak, creating groundbreaking music. Veterans like Mahmoud Ahmed and Hirut Bekele also collaborated with the band on memorable albums and music clips, many recorded at Ethiopia’s sole TV station, ETV.




Roha’s music was the highlight of ETV’s popular variety show, “Hibret Tir’it.” The show, a mix of music, drama, and comedy, was eagerly awaited by families across Ethiopia. Everyone, including household staff, would gather to watch. It was a golden era when Roha’s music dominated albums, TV clips, and radio shows, setting an unmatchable standard.


In an interview, folk musician Elias Tebabel described how challenging it was to rehearse with Roha, but also how rewarding.

Like other legendary bands, Roha had humble beginnings, with members discovering their passion for music in unlikely circumstances. Giovanni Rico recalls how a gifted guitar sparked his long and fulfilling career. Selam Seyoum attributes his entry into music to singing in a church quartet during his teenage years. Other members share similar stories, none of which foretold the glory and dominance they would achieve as a team.

In a TV interview, some members credited Giovanni Rico as their role model, praising his selflessness, teamwork, and strong work ethic. Roha’s sheer volume of work was staggering; overnight performances, countless music albums, and studio recordings. Observers often wonder how they managed to achieve so much while performing with ease and grace. Commentators note that the band’s output seemed almost superhuman, pointing to their discipline, organisational skills, and, above all, their passion and love for music. Their story serves as a reminder that willpower and self-belief can lead to extraordinary achievements.


The band’s name, Roha, is inspired by the historic town of Lalibela, a UNESCO World Heritage site known for its rock-hewn churches. Roha sought to create a legacy that would endure through time. Giovanni Rico shared that the young band chose the name Roha as a symbol of their aspiration to leave an enduring mark.

Just like Lalibela’s breathtaking churches, including St. George and St. Mary, Roha’s music has withstood the test of time.

Unfortunately, many millennials seem unaware of the legendary Roha Band. It is saddening that a group with such phenomenal achievements is not celebrated as it deserves, fading into memory for those who lived through the 80s and 90s. A simple Wikipedia search provides little to no information about the band.

Roha Band’s legacy should be properly curated, celebrated, and archived for future generations. The band members, who contributed so much over decades, deserve recognition and honour for their work.



PUBLISHED ON Jan 18,2025 [ VOL 25 , NO 1290]




Bereket Balcha works in the aviation industry and is passionate about fiction writing and can be reached at (bbalcha5@yahoo.com)





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